Futuristic Fringes

Futuristic Fringes Image from the TonkaTom #00 !!! ;D
http://trendland.com/new-creative-journal-tonkatom-issue-00/tonka-tom-02

Melbourne Surprises

I really do love Melbourne. 

Wondering around the city is always a pleasure. ....especially when you come across a wonderful surprise like this one. 

Russell Place, in Melbourne's CBD is quickly growing into quite a cool little side-street of wonder. 

With a handful of beautifully designed cafés, bars, boutiques (including unique men's leather shoes, a secret little FAT boutique and Pieces of Eight Jewelry Gallery), Russell Pl is definitely a destination for any curious Melbournian.

Along with all the retail and culinary excitment, what really got me thrilled was the Street Art on display. 

This collage is very surreal yet, quite a romantic motif in comparison to the other street around the CBD. I love the notion of colossus stone-like hands, intertwined as if they were vines, while people sit, converse and dine on the opposite side of the street. These hands emerging from the concrete ground give Russell Pl a softer more organic feel against the dense and chaotic life that lives beyond its walls.

LOVEhelen

Goodwishing

Collage Images: 

Tears, 1933-34. Photograph by Man Ray.

& Vintage stamps. 

For my friends who have gotten quite unwell this month. 

My thoughts are with you. 

lots of love 

helen 

Poseidon's Holiday

We all feel like emerging to the surface every now-and-then. 

So, here's a snapshot from Poseidon's Holiday. 

Also, the picture of the couple had a wonderful tag line beneath it:

"You'll look great in one of our Caribbean tans"

.....thankyou PAN-AM.

Is There Any Excitement Left?

.....always.

Finale ~ The Last Movement of a Piece

Recently I showcased my 2011 Graduate work in at the Mercedes-Benz Fashion Festival in Brisbane, for the National Graduate of the Year prize which they hold there. I was selected, along with 11 other graduates from across Australia for this competition. It was an honor and a privilege to be nominated, and was a wonderful time to reflect and conclude the work I completed exactly a year ago.

Below there is also a link to the MBFF site, which contains video footage of the show.

Enjoy!

http://www.mbff.com.au/gallery/day5/Helen%20Pappas/

Graphic Business

Last week I was a part of the Mercedes-Benz Fashion Festival in Brisbane. It was a very exciting trip, as I, along with 11 other graduates from around Australia, were nominated for the Australian Graduate of the Year Award. 

For this competition I created little hand outs, which presented both my collage and fashion work together. And also held my business card, in the center, like an old family photo. 

So here they are!

LOVEhelen

The Olympiads

Collages inspired by Olympic conquests and physical feats. 

~ LOVEhelen ~

The Seated Harlequin

Seated Harlequin 1901

Pablo Picasso (1881-1973)

The Matador & the Mime

I've been wanting to post these collages up for a long time now. Finally, I've done it!

I created these a few months ago. And have been interested in the vigor but also the tragedy, behind the spectacle. 

• LOVEhelen •

Zeigfeld Follies

Gene Kelly & Fred Astaire, 

Still from "Zeigfeld Follies" directed by Vincente Minnelli, 1946.

Mortality and Design

It is my pleasure to share with you these photos. While they are not a direct collaboration with myself and the Creative Director; Miss Elfi Seidel, I feel that our conversations about design, styling and philosophy towards creating has been such a beneficial process for our works. Looking at the notion of mortality in design was the starting point for this editorial shoot (and the article in the last post). It was wonderful to have this dialogue during the creative process and it was so exciting to see the final products together.
I particularly like the use of shadow and links to Surrealist motifs.
I hope you enjoy it too.  

Memento Mori Now

This shoot addresses beauty and mortality and looks at their links. Baroque inspired, beauty and death are being personified as allegorical figures.

Reinterpreting vanitas symbols such as flowers and violins, the images put fashion’s ephemeral nature in a modern context. The photos were taken at the gallery W139 in Amsterdam, a hyper clean environment contrasting the Baroque and mythological references with abstract pieces of contemporary art. Shadows cast by a semi-present character add to a certain whimsical feel. Inspired by the close bonds between fashion, death and decay, the protagonists blend their contrasting characteristics. The compositions allude to the relation of the opposed characters without being very explicit. Combining a visual language of symbolic overload with a theatrical and staged feel, the series comes off as a moody narrative about the beauty of fashion haunted by its ghost of death.

- Miss Elfi Seidel

Production & Styling: Elfi Seidel & Merel van der Toorn

Photography: TC

Models: Katja Verheul & Daniel Liddiard

Make Up: Wouter van Schaaijk

Hair: Michelle van Coeverden

Thanks to: GAlLERY W139

Elfi Seidel -  www.elfiseidel.com

Transcending Beneath the Layers

An article and collage work completed for Amsterdam's Fashion Institute (AMFI) Magazine Major project - Shared Kingdom earlier this year.  This article is also an extension (or epilogue) to my graduate thesis on the art and fashion of collage.

Transcending beneath the layers

By: Helen K.H. Pappas.

I spent the last year of my degree completely engrossed in homework. Now that I think about it, every year was spent fully submerged in assignments! For me, this degree was a Bachelor of Fashion Design. I was making it, drawing it, analysing its history, questioning how fashion can be created and where I sit in all of this. What I found most interesting was not the relief when it was all finished, but how my views towards fashion had developed. I had thrown away the old me, and was re-born into a different version of myself. I had left behind my ‘student’ self and had grown my own style as a designer. I became a designer that speaks the language of collage.

Collage, being the topic of my thesis, became more than just a technique for working. It became and a metaphor to the process of design.  The more I researched, the more links between collage and fashion I found. And the relationships between art and fashion intensified.
In the beginning it didn’t seem that collage and fashion were two topics commonly discussed. But when combining fashion, art and collage to a social context everything started to make sense. All three fields deal with the notions of re-birth, revival and the reincarnation of the past.

The practice of collage art is a constant form of recycling and reviving. Collage seems to reoccur in times of global change. At the beginning of the 20^th century collage was popularised by the Cubist movement of the early 1910s and then again during the Pop Art movement during the 1960s. It is interesting that both times coincided with global unrest and the creation of new developments. During the Cubist movement these progresses were the effects of industrialization, while the 1960s developed mass media, television as well as political and social shifts.

Living in the age of the Internet, global conflict and financial instability,
I am not surprised that collage has once again found its way back to the forefront of our visual language.

What I find truly fascinating is that collage has made such an impact on art and also on fashion. For many years its presence has been central to the progression of fashion design. An example of this is that both fashion and collage share the topic of mythology for exploration. Echoes of Greek myth, such as the characters of Pegasus and Hercules have been sprinkled across history and art. Reproduced again and again, cut and glued together, these tales never seem to die or lose their ability to relate to current society.
I find this truly remarkable that these myths continually inspire the designer. As these stories are thousands of years old and still a strong part of our visual language. It became clear after attending all the Art & Design lectures at Uni that there are many creative talents both past and present, who explore the notions of Greek mythology. Pablo Picasso commonly used the character of the Minotaur in his works, Madeleine Vionnet was inspired by the drape of ancient statues, even the label Prada and countless other artist, designers and advertisers allude to pieces of these myths.

But what makes mythology so significant to collage and design?

The influence of mythology lies in its ability to stay relevant. By working this old theme of mythology and injecting it with modern subjects like fashion or collage, its’ relevance is reborn back into our world. And mythology becomes a collage of its own, multi-layered with pieces of the past and the present. By reusing mythology as inspiration it prevents these stories from dying. Through each rebirth these myths maintain their mystique and power in design.

When thinking about the idea of collage on a greater scale, the notion of the ‘cut’ became an important part of my research. The ability to slice, cut, break and then rearrange the images allows a new, witty or provoking meaning. It is this visual language of the ‘cut’ that suggests a kind of death or destruction to the original medium. The physical dissecting not only breaks, for example a roll of fabric, or a photograph, but also symbolically destroys it. These new fragments are pieced together and transformed into something entirely different.
Much like this, Greek mythology constantly blends Gods, beasts and humans together, building complex characters that are both surreal and a reflection of human personalities.
The transformation from a recognisable image, into a poetic combination of visuals is still one of the strongest ideas in collage. These juxtapositions allow our minds to reflect on the world around us, while designers and artists consistently use collage to create new meaning between images or styles.

  

Collage is a technique and an idea. It is centred on its ability to blend and juxtapose different elements together. Collage intermingles many ingredients together and it is this ability that lends itself so beautifully to the concepts of rebirth and transformation. By continually reviving the stories of Greek myth, collage pays homage to the culture of past traditions as well as present behaviour. Through practicing collage, the materials (wether they be styles, stories, animals or images) are reborn into new contexts and uses. Collage is no stranger to myth, legend and the themes of death and rebirth. As collage looks beyond the physicality of ‘death’ and transcends into something more celestial and eternal. 

So while I am no longer at University, my newfound love of collage is an exciting prospect. I am sure, like many design and fashion graduates before me, my first year in the industry will be one layered with opportunity, influences and challenges.

This article is an extension of Pappas’s graduate thesis titled Beneath the Layers - Collage’s Influence on the world of fashion, completed in 2011 at the Royal Melbourne Institute of Technology (RMIT) in Australia.

"If we want things to stay as they are, things will have to change." (Tancredi-The Leopard)

Inspired by the works of Luchino Visconti: the great Italian director (1906-1976), 

this collaboration blends the seduction of opulence and luxury with 

distant worlds and fantasy.

LOVEhelen

Photographer: Anthony Tosello

Stylist &: Designer: Helen Pappas

Make Up Artist: Eve Dimitrakadis

Model: Amy Pollock @ London MGT Group

Collages by: Helen Pappas

...and the Colossi tried to run-away.

Collage by: HelenPappas

Collage by: HelenPappas

– – – • • • – – –

Composure, seduction, bewilderment & pain,

with a magic curtain. 

– – – • • • – – –

LOVEhelen